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StarTrekIntoDarkness FinalUSPoster | For years, Tim Simonec has been one of the busiest orchestrators in Hollywood. He has orchestrated and conducted over 70 feature films and 25 television series. He has also composed the music for the feature film A Rumor of Angels and Anne Frank: The Whole Story, which won an Emmy for best mini-series.

The Music of Star Trek Into Darkness

By Marketing

In this exclusive SoundWorks Collection profile we talk with the Music Conductor and Orchestrator Tim Simonec on the 20th Century Fox Newman Scoring stage for Director J.J. Abram’s new film Star Trek Into Darkness.


Synopsis

For years, Tim Simonec has been one of the busiest orchestrators in Hollywood. He has orchestrated and conducted over 70 feature films and 25 television series. He has also composed the music for the feature film A Rumor of Angels and Anne Frank: The Whole Story, which won an Emmy for best mini-series.

He has worked with Graeme Revell since 1991 as his orchestrator and conductor.Some of their films together are Pineapple Express, Daredevil, The Negotiator, The Hand That Rocks the Cradle. In 1996, he began working with composer Chris Tyng. Their projects together included kazaam, The Associate, and the TV series Futurama. Since 1997, Tim has been working with Michael Giacchino as his conductor and orchestrator/arranger. Over the years their projects have included video games such as Medal of Honor, Call of Duty; TV series, Alias, LOST, Fringe; and films, The Incredibles, Ratatouille, The Family Stone, Mission Impossible 3, Star Trek, UP, and most recently, Super 8, Cars 2, MI4: Ghost Protocol, and John Carter. For his arrangement of the end-titles of UP, Tim was nominated for a Grammy.

Tim was born and raised in Chicago…making him, to this day, a die-hard Cubs, Bears, and Blackhawks fan. He began playing the organ and piano at age 8, and became the church organist at the ripe old age of 12! Despite his teen years at the keyboards, he chose to study theology in college. And while his intent was to become a minister, his love of music was a constant in his life. He arranged music for orchestra during college, and after graduation, Tim was hired to write a theme for a local television program. The moment he heard studio musicians play his composition, he realized his passion and career would be music.

Although Tim decided to pursue a career in film composition, ironically, he did so by writing the scores for 40 religious films. While recording music for a religious documentary in London in 1979, recording engineer Eric Tomlinson (Star Wars, Superman) was impressed with Tim’s composition and encouraged him to make the move to Los Angeles. Soon after arriving in LA, Tim was hired to compose music for Happy Days, Laverne & Shirley, and Family Ties.

All was moving along well until March of 1984. After experiencing debilitating numbness in his hands and a painful, stiff neck, Tim was diagnosed with a tumor on his cervical spinal cord. The operation to remove the tumor resulted in Tim becoming a quadriplegic. He was told he would never walk again. After thousands of prayers, the support and love of the woman who became his wife, and great determination, Tim learned to walk again. In medical terms, he is that rare phenomenon, a walking quadriplegic. He also regained partial use of his hands and is able to conduct orchestras.

Tim’s days at the keyboard were over but he knew he could compose, hopefully with the newest technology…the Apple computer! In 1986, he returned to pursue his passion and career in film music, which he continues to this day.

20110406michaelgiacchino01 | Michael Giacchino (pronounced "Juh-keen-oh") was born 10th October 1967 in Riverside Township, New Jersey, and grew up in nearby Edgewater Park. He started venturing into films at the age of ten, creating stop motion animations on his brother's pool table. He found the most enjoyable part of the process was putting music to the pictures.

16 Vídeos com entrevistas de Michael Giacchino

By Marketing

Michael Giacchino (pronounced “Juh-keen-oh”) was born 10th October 1967 in Riverside Township, New Jersey, and grew up in nearby Edgewater Park. He started venturing into films at the age of ten, creating stop motion animations on his brother’s pool table. He found the most enjoyable part of the process was putting music to the pictures.

He studied at the School of Visual Arts in New York where he received a major in film production and a minor in history. At the same time, he took an unpaid internship at Universal Pictures as well as working at a department store to pay the rent.
He graduated in 1990 with a Bachelor of Fine Arts and began studying music at the Lincoln Center’s Juilliard School. He worked day jobs at the publicity offices for Universal and Disney, and two years later, moved to Disney Studios in Burbank. As well as working in their feature film publicity department, he took night classes in music at UCLA.

His work at Disney meant interacting with various people from the film industry. Realizing that producers hired composers, he figured out that if he became a producer he could effectively hire himself, and he later started producing – and composing – for Disney Interactive.

In 1997, newly formed DreamWorks Interactive asked him to score their video game adaptation of The Lost World: Jurassic Park. By complete fluke, it became the first PlayStation game to have a live orchestral score, when producer Steven Spielberg asked when Michael’s demo music would be recorded live.

Michael continued writing for video games and became well known for his Medal Of Honor scores. In 2001, he received an e-mail complementing his music and asking if he would be interested working in TV. That e-mail was from J.J. Abrams, who was starting production on Alias. Michael took the job, and has since worked on nearly every one of Abrams’ projects, including Lost, Mission: Impossible III, Super 8, Star Trek and Star Trek Into Darkness.

Michael also frequently works with Brad Bird – scoring The Incredibles, Ratatouille and Mission: Impossible – Ghost Protocol, and Matt Reeves – writing an overture for Cloverfield, and scoring Let Me In and Dawn Of The Planet Of The Apes.

Working with director Pete Doctor on Up landed Michael two Grammys, a Golden Globe, a Bafta and an Oscar. However while Up received the most critical acclaim, Star Trek and Star Trek Into Darkness have proven to be his most popular scores. Michael is currently taking them “on tour”, and they have been performed live to picture around the world, including at the Royal Albert Hall in London.

As well as writing music for films, TV, games, and even theme park rides, Michael is also an advisory board member of Education Through Music Los Angeles – an organization which promotes the integration of music into the curricula of disadvantaged schools.
Upcoming scores to look forward to include Jupiter Ascending, Tomorrowland, Jurassic World and Inside Out.
Michael’s music can often be heard in concerts worldwide. Be sure to check out upcoming events to see where you can hear his music live.

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