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German-born composer Hans Zimmer is recognized as one of Hollywood’s most innovative musical talents, having first enjoyed success in the world of pop music as a member of The Buggles. The group’s single “Video Killed the Radio Star” became a worldwide hit and helped usher in a new era of global entertainment as the first music video to be aired on MTV (August 1, 1981).

Zimmer entered the world of film music in London during a long collaboration with famed composer and mentor Stanley Myers, which included the film Minha Adorável Lavanderia (1985). He soon began work on several successful solo projects, including the critically acclaimed A World Apart, and during these years Zimmer pioneered the use of combining old and new musical technologies. Today, this work has earned him the reputation of being the father of integrating the electronic musical world with traditional orchestral arrangements.

A turning point in Zimmer’s career came in 1988 when he was asked to score Rain Man for director Barry Levinson. The film went on to win the Oscar for Best Picture of the Year and earned Zimmer his first Academy Award Nomination for Best Original Score. The next year, Zimmer composed the score for another Best Picture Oscar recipient, Conduzindo Miss Daisy (1989), starring Jessica Tandy, and Morgan Freeman.

Having already scored two Best Picture winners, in the early 1990s, Zimmer cemented his position as a pre-eminent talent with the award-winning score for O Rei Leão (1994). The soundtrack has sold over 15 million copies to date and earned him an Academy Award for Best Original Score, a Golden Globe, an American Music Award, a Tony, and two Grammy Awards. In total, Zimmer’s work has been nominated for 7 Golden Globes, 7 Grammys and seven Oscars for Rain Man (1988), Gladiador (2000), O Rei Leão (1994), Melhor É Impossível (1997), The Um Anjo em Minha Vida (1996), Além da Linha Vermelha (1998), O Príncipe do Egito (1998), and O Último Samurai (2003).

With his career in full swing, Zimmer was anxious to replicate the mentoring experience he had benefited from under Stanley Myers’ guidance. With state-of-the-art technology and a supportive creative environment, Zimmer was able to offer film-scoring opportunities to young composers at his Santa Monica-based musical “think tank.” This approach helped launch the careers of such notable composers as Mark Mancina, John Powell, Harry Gregson-Williams, Nick Glennie-Smith, and Klaus Badelt.

In 2000, Zimmer scored the music for Gladiador (2000), for which he received an Oscar nomination, in addition to Golden Globe and Broadcast Film Critics Awards for his epic score. It sold more than three million copies worldwide and spawned a second album Gladiator: More Music From The Motion Picture, released on the Universal Classics/Decca label. Zimmer’s other scores that year included Missão Impossível 2 (2000), O Caminho Para El Dorado (2000), and An Everlasting Piece (2000), directed by Barry Levinson.

Some of his other impressive scores include Pearl Harbor (2001), O Chamado (2002), four films directed by Ridley Scott; Os Vigaristas (2003), Hannibal (2001), Falcão Negro em Perigo (2001), and Thelma & Louise (1991), Penny Marshall’s Os Garotos da Minha Vida (2001), and Uma Equipe Muito Especial (1992), Quentin Tarantino’s Amor à Queima Roupa (1993), Lágrimas do Sol (2003), Ron Howard’s Backdraft – Cortina de Fogo (1991), Dias de Trovão (1990), Smilla’s Sense of Snow (1997), and the animated Spirit – O Corcel Indomável (2002) for which he also co-wrote four of the songs with Bryan Adams, including the Golden Globe nominated Here I Am.

At the 27th annual Flanders International Film Festival, Zimmer performed live for the first time in concert with a 100-piece orchestra and a 100-piece choir. Choosing selections from his impressive body of work, Zimmer performed newly orchestrated concert versions of Gladiator, Missão Impossível 2 (2000), Rain Man (1988), O Rei Leão (1994), and Além da Linha Vermelha (1998). The concert was recorded by Decca and released as a concert album entitled “The Wings Of A Film: The Music Of Hans Zimmer.”

Last year, Zimmer completed his 100th film score for the film The Last Samurai, starring Tom Cruise, for which he received both a Golden Globe and a Broadcast Film Critics nomination. Recently, Zimmer scored Nancy Meyers’ comedy Alguém Tem Que Ceder (2003), the animated Dreamworks film, O Espanta Tubarões (2004) (featuring voices of Will Smith, Renée Zellweger, Robert De Niro, Jack Black, and Martin Scorsese), and most recently, Jim Brooks’ Espanglês (2004) starring Adam Sandler and Téa Leoni (for which he also received a Golden Globe nomination). His upcoming projects include Paramount’s O Sol de Cada Manhã (2005) starring Nicolas Cage, Dreamworks’ Madagascar (2005), and highly anticipated Warner Bros. summer release, Batman Begins (2005).

Zimmer’s additional honors and awards include the prestigious Lifetime Achievement Award in Film Composition from the National Board of Review, and the Frederick Loewe Award in 2003 at the Palm Springs International Film Festival. He has also received ASCAP’s Henry Mancini Award for Lifetime Achievement. Hans and his wife live in Los Angeles and he is the father of four children.
– IMDb Mini Biography By: Anonymous