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img 0055 | John Ottman returned to the Newman Scoring Stage at 20th Century Fox a few days ago. His mission: record the score to the Marvel superhero flick Fantastic Four in five days. With over 90-minutes of score to record, Ottman used a 94-piece orchestra, and 32-person choir to realize his musical vision for the film.

John Ottman Scores Fantastic Four

By Marketing

John Ottman returned to the Newman Scoring Stage at 20th Century Fox a few days ago. His mission: record the score to the Marvel superhero flick Fantastic Four in five days. With over 90-minutes of score to record, Ottman used a 94-piece orchestra, and 32-person choir to realize his musical vision for the film.

img 0033 | John Ottman returned to the Newman Scoring Stage at 20th Century Fox a few days ago. His mission: record the score to the Marvel superhero flick Fantastic Four in five days. With over 90-minutes of score to record, Ottman used a 94-piece orchestra, and 32-person choir to realize his musical vision for the film.
John Ottman with director Tim Story

img 0004 | John Ottman returned to the Newman Scoring Stage at 20th Century Fox a few days ago. His mission: record the score to the Marvel superhero flick Fantastic Four in five days. With over 90-minutes of score to record, Ottman used a 94-piece orchestra, and 32-person choir to realize his musical vision for the film.
Piles of scores to record!

Conducted by long-time Ottman collaborator Damon Intrabartolo, the music is bold and thematic, with plenty of action. Fans are sure to be delighted with what he came up with – you’ll definitely be humming this theme when you leave the theaters!

img 0020 | John Ottman returned to the Newman Scoring Stage at 20th Century Fox a few days ago. His mission: record the score to the Marvel superhero flick Fantastic Four in five days. With over 90-minutes of score to record, Ottman used a 94-piece orchestra, and 32-person choir to realize his musical vision for the film.
Damon Intrabartolo conducts the Hollywood Studio Symphony

John will finish the mix this week, with the help of score mixer Casey Stone, and then he’s off to Australia this weekend, where he dives head-first into another superhero movie: Superman Returns, directed by Bryan Singer. Ottman will be editing the film as well as scoring – and he will be using John Williams’ classic themes.

img 0055 | John Ottman returned to the Newman Scoring Stage at 20th Century Fox a few days ago. His mission: record the score to the Marvel superhero flick Fantastic Four in five days. With over 90-minutes of score to record, Ottman used a 94-piece orchestra, and 32-person choir to realize his musical vision for the film.
Damon Intrabartolo conducts the choir

Fantastic Four opens on July 8, 2005, and in addition to a pop album, plans for a score album are in the works.

You’ve only seen 4 images – click here for 5 more scoring session images for this film!

pano booth 1 | Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!

John Ottman scores X-Men: Days of Future Past

By Marketing

Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!

pano orch 1 | Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!

Conducted by Jeffrey Schindler, X-Men: Days of Future Past was recorded with a 97-piece ensemble of the Hollywood Studio Symphony.

dsc 0082 | Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!
Conductor Jeffrey Schindler and the orchestra perform on X-Men: Days of Future Past

dsc 0108 | Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!
The French horns

dsc 0050 | Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!
The brass section

dsc 0063 | Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!
The woodwinds

dsc 0099 | Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!
The cello section

A 28-person choir was also recorded for the score, conducted by Jasper Randall.

pano choir 1 | Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!
The choir and conductor Jasper Randall

dsc 0187 | Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!

In the booth, composer/editor John Ottman was joined by many of his frequnt collaborators, including music editor Amanda Goodpaster, orchestrator Rick Giovinazzo and scoring mixer Casey Stone. Also present were orchestrators Pete Anthony, Jason Livesay and Nolan Livesay, and additional music editor Stephanie Lowry. Re-recording mixer Ron Bartlett visited to check out the mix as well. (Singer was not there at the time we visited, as he was off shooting the pilot episode for his new television show, “Battle Creek”.)

pano booth 1 | Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!
The booth at Fox: additional music editor Stephanie Lowry, composer John Ottman, orchestrators Rick Giovinazzo and Jason Livesay, re-recording mixer Ron Bartlett, and scoring mixer Casey Stone

dsc 0068 | Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!
Music editor Amanda Goodpaster speaks with composer John Ottman (seated) and orchestrators Pete Anthony and Rick Giovinazzo

dsc 0172 | Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!
Composer and film editor John Ottman takes a moment to smile for the camera

dsc 0184 | Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!
Composer John Ottman, orchestrator Rick Giovinazzo, ProTools recordist Larry Mah, scoring mixer Casey Stone, and choir conductor Jasper Randall discuss a cue

A soundtrack album featuring Ottman’s score to X-Men: Days of Future Past is available from Sony Masterworks, and is now available on iTunes.

pano orch 2 | Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!

You’ve only seen 13 images – click here for 27 more scoring session images for this film!

dsc 7363 | This past November, Christophe Beck was at the Sony Scoring Stage recording his score for Disney's Muppets Most Wanted, the sequel to the smash 2011 film, The Muppets. Directed by James Bobin, with whom Beck worked on the first film, the film opened on March 21, 2014, and has already grossed over $40 million. ScoringSessions.com is delighted to bring our readers the exclusive photos from the sessions!

Christophe Beck scores Disney’s Muppets Most Wanted

By Marketing

This past November, Christophe Beck was at the Sony Scoring Stage recording his score for Disney’s Muppets Most Wanted, the sequel to the smash 2011 film, The Muppets. Directed by James Bobin, with whom Beck worked on the first film, the film opened on March 21, 2014, and has already grossed over $40 million. ScoringSessions.com is delighted to bring our readers the exclusive photos from the sessions!

pano orch 1 | This past November, Christophe Beck was at the Sony Scoring Stage recording his score for Disney's Muppets Most Wanted, the sequel to the smash 2011 film, The Muppets. Directed by James Bobin, with whom Beck worked on the first film, the film opened on March 21, 2014, and has already grossed over $40 million. ScoringSessions.com is delighted to bring our readers the exclusive photos from the sessions!

Conducted by orchestrator Tim Davies, the score for Disney’s Muppets Most Wanted was recorded at the Sony Scoring Stage with an 82-piece ensemble of the Hollywood Studio Symphony.

dsc 7423 | This past November, Christophe Beck was at the Sony Scoring Stage recording his score for Disney's Muppets Most Wanted, the sequel to the smash 2011 film, The Muppets. Directed by James Bobin, with whom Beck worked on the first film, the film opened on March 21, 2014, and has already grossed over $40 million. ScoringSessions.com is delighted to bring our readers the exclusive photos from the sessions!
Conductor Tim Davies and an 82-piece orchestra record Christophe Beck’s score to Disney’s Muppets Most Wanted

dsc 7444 | This past November, Christophe Beck was at the Sony Scoring Stage recording his score for Disney's Muppets Most Wanted, the sequel to the smash 2011 film, The Muppets. Directed by James Bobin, with whom Beck worked on the first film, the film opened on March 21, 2014, and has already grossed over $40 million. ScoringSessions.com is delighted to bring our readers the exclusive photos from the sessions!
The orchestra makes edits to their parts

dsc 7363 | This past November, Christophe Beck was at the Sony Scoring Stage recording his score for Disney's Muppets Most Wanted, the sequel to the smash 2011 film, The Muppets. Directed by James Bobin, with whom Beck worked on the first film, the film opened on March 21, 2014, and has already grossed over $40 million. ScoringSessions.com is delighted to bring our readers the exclusive photos from the sessions!
Trumpets Wayne Bergeron and Jon Lewis

dsc 7338 | This past November, Christophe Beck was at the Sony Scoring Stage recording his score for Disney's Muppets Most Wanted, the sequel to the smash 2011 film, The Muppets. Directed by James Bobin, with whom Beck worked on the first film, the film opened on March 21, 2014, and has already grossed over $40 million. ScoringSessions.com is delighted to bring our readers the exclusive photos from the sessions!
Conductor Tim Davies gives feedback to the violins

dsc 7406 | This past November, Christophe Beck was at the Sony Scoring Stage recording his score for Disney's Muppets Most Wanted, the sequel to the smash 2011 film, The Muppets. Directed by James Bobin, with whom Beck worked on the first film, the film opened on March 21, 2014, and has already grossed over $40 million. ScoringSessions.com is delighted to bring our readers the exclusive photos from the sessions!
Orchestra contractor Peter Rotter and director James Bobin

dsc 7435 | This past November, Christophe Beck was at the Sony Scoring Stage recording his score for Disney's Muppets Most Wanted, the sequel to the smash 2011 film, The Muppets. Directed by James Bobin, with whom Beck worked on the first film, the film opened on March 21, 2014, and has already grossed over $40 million. ScoringSessions.com is delighted to bring our readers the exclusive photos from the sessions!
Percussionist Greg Goodall tunes the timpani

Composer Christophe Beck was in the booth, along with director James Bobin, and would give feedback to Davies who was out on the stage conducting. Scoring mixer Casey Stone and scoring assistant Leo Birenberg were also on hand to lend guidance. Music editor Richard Ford, scoring assistant Zach Robinson and ProTools Recordist Larry Mah rounded out the team.

dsc 7293 | This past November, Christophe Beck was at the Sony Scoring Stage recording his score for Disney's Muppets Most Wanted, the sequel to the smash 2011 film, The Muppets. Directed by James Bobin, with whom Beck worked on the first film, the film opened on March 21, 2014, and has already grossed over $40 million. ScoringSessions.com is delighted to bring our readers the exclusive photos from the sessions!
Composer Christophe Beck, scoring assistant Leo Birenberg, director James Bobin (rear), scoring mixer Casey Stone, music editor Richard Ford (hidden), and ProTools recordist Larry Mah

dsc 7456 | This past November, Christophe Beck was at the Sony Scoring Stage recording his score for Disney's Muppets Most Wanted, the sequel to the smash 2011 film, The Muppets. Directed by James Bobin, with whom Beck worked on the first film, the film opened on March 21, 2014, and has already grossed over $40 million. ScoringSessions.com is delighted to bring our readers the exclusive photos from the sessions!
Director James Bobin, scoring assistant Leo Birenberg, and scoring mixer Casey Stone

A soundtrack album featuring songs from the film (by Oscar-winning songwriter Bret McKenzie) is available from Walt Disney Records. A score album, featuring music from Disney’s Muppets Most Wanted as well as The Muppets will be released from Intrada Records in April 2014.

pano orch 3 | This past November, Christophe Beck was at the Sony Scoring Stage recording his score for Disney's Muppets Most Wanted, the sequel to the smash 2011 film, The Muppets. Directed by James Bobin, with whom Beck worked on the first film, the film opened on March 21, 2014, and has already grossed over $40 million. ScoringSessions.com is delighted to bring our readers the exclusive photos from the sessions!

You’ve only seen 10 images – click here for 26 more scoring session images for this film!

dsc 0187 | Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!

John Ottman scores X-Men: Days of Future Past

By Marketing

Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!

pano orch 1 | Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!

Conducted by Jeffrey Schindler, X-Men: Days of Future Past was recorded with a 97-piece ensemble of the Hollywood Studio Symphony.

dsc 0082 | Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!
Conductor Jeffrey Schindler and the orchestra perform on X-Men: Days of Future Past

dsc 0108 | Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!
The French horns

dsc 0050 | Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!
The brass section

dsc 0063 | Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!
The woodwinds

dsc 0099 | Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!
The cello section

A 28-person choir was also recorded for the score, conducted by Jasper Randall.

pano choir 1 | Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!
The choir and conductor Jasper Randall

dsc 0187 | Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!

In the booth, composer/editor John Ottman was joined by many of his frequnt collaborators, including music editor Amanda Goodpaster, orchestrator Rick Giovinazzo and scoring mixer Casey Stone. Also present were orchestrators Pete Anthony, Jason Livesay and Nolan Livesay, and additional music editor Stephanie Lowry. Re-recording mixer Ron Bartlett visited to check out the mix as well. (Singer was not there at the time we visited, as he was off shooting the pilot episode for his new television show, “Battle Creek”.)

pano booth 1 | Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!
The booth at Fox: additional music editor Stephanie Lowry, composer John Ottman, orchestrators Rick Giovinazzo and Jason Livesay, re-recording mixer Ron Bartlett, and scoring mixer Casey Stone

dsc 0068 | Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!
Music editor Amanda Goodpaster speaks with composer John Ottman (seated) and orchestrators Pete Anthony and Rick Giovinazzo

dsc 0172 | Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!
Composer and film editor John Ottman takes a moment to smile for the camera

dsc 0184 | Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!
Composer John Ottman, orchestrator Rick Giovinazzo, ProTools recordist Larry Mah, scoring mixer Casey Stone, and choir conductor Jasper Randall discuss a cue

A soundtrack album featuring Ottman’s score to X-Men: Days of Future Past is available from Sony Masterworks, and is now available on iTunes.

pano orch 2 | Earlier this spring, composer John Ottman was at the Newman Scoring Stage at Fox to the record his score for the highly anticipated superhero film, X-Men: Days of Future Past. The film, which is the eighth that Ottman has scored (and edited) for director Bryan Singer, grossed a whopping $170 million worldwide when it opened this past weekend. ScoringSessions.com is thrilled to bring our readers exclusive photos from the scoring sessions!

You’ve only seen 13 images – click here for 27 more scoring session images for this film!

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